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Archives: Reviews

Brescianello Unlocked (Album)

Technical acrobatics, jaunty melodies and shifting rhythms. This must be Vivaldi, right? Wrong. The music on this album comes from the Red Priest’s younger – but no less gifted –...

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An Englishman Abroad (Album)

‘Celebrating the work of the Anglo-Italian violinist and composer Nicola Matteis and “the English style in 18th-century Europe”, this superb disc takes as its starting point Matteis’s...

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Forza Azzurri! (Album)

‘The Qatar World Cup is in full swing these days, the second consecutive World Cup without Italy. And so, whilst waiting for better times, we want to congratulate the coaches and players...

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Behind Closed Doors (Album)

‘The performances by this accomplished ensemble are polished and invigorating. Chandler’s solo violin playing is articulate, warm toned and communicative … a rewarding issue.’ Nicholas...

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Settecento (Album)

‘La Serenissima here charts the flourishing of Italian instrumental music in the early decades of the 1700s (the ‘Settecento’), with ports of call in Venice, Bologna and Naples. Alongside...

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Extra Time (Album)

‘Adrian Chandler and La Serenissima have had a run of snappy album titles in recent years – ‘The Italian Job’, ‘The Godfather’, ‘Vivaldi x2’ –...

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The Godfather (Album)

‘If Chandler’s programming of oddities and fragments sometimes looks like a musicological download, the sound his orchestra makes soon makes you forget that. Bright, clear, open and gloriously...

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Vivaldi x2 (Album)

‘Under Adrian Chandler, the playing, vibrant yet polished to perfection, is superb.’ Stephen Pettit, The Sunday Times ‘They really put the rock into baroque!’ John...

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The Italian Job (Album)

‘The English, historical-instrument, Baroque ensemble La Serenissima (the term was a nickname for the city of Venice) has specialized in somewhat scholarly recordings that nevertheless retain...

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